This is a true story of an encounter I had with a bear one day. Written and illustrated by Tim Livingston.
The deep impressions in the skid trail were unmistakably that of a large black bear. He had walked this trail so many times that his footsteps had created permanent depressions in the earth. Bears often walk in their same footsteps on their favorite paths. It’s quieter that way. A quiet bear is a well fed bear. This trail hadn’t been used for skidding logs for forty or fifty years judging by the trees growing there. The Bear owned the trail now.
I came up the trail for the same reason as the bear. I too was hunting. I carried my bow with an arrow nocked at the ready. Trying to be as silent as I could, I stepped where the bear stepped. It was so dry in the August woods that everything cracked and snapped under my feet. I moved along the edge of a steep ravine. Pausing every few steps to listen to the sounds of the forest. Suddenly, crashing sounded through the brush, and then a loud whooshing huff came from across the ravine. There was another huff and then another. I’d been made. It was the alarm sound of three black-tail deer. Deer were what I came for, but my element of surprise was lost. I couldn’t see any of them through the dense forest of Douglas-fir, pine and oak. I hoped they might move into an opening so I could. I sat down on the edge of the trail to quietly wait for things to settle down.
The huffing gradually subsided. The group of deer moved off never once revealing themselves to me. I waited a few more minutes hoping for a straggler. Then another huff sounded far up the draw. It seemed odd that this new deer would have detected me at that distance. The huff was followed by more huffing along with crashing in the brush. The crashing didn’t seem like deer. Quickly and quietly, I got to my feet and looked up toward the sound. Soon, a black bear foraging down the ravine came into view. I could tell by its size it was a big boar.
I couldn’t legally hunt this bear because my bear tag had been filled a week before. I didn’t want him to know I was here. His reaction would alert other deer in the area to my presence. Searching around, there was no way out of the ravine that wouldn’t attract the bear’s attention. Climbing the steep slopes through the leaves and duff would have been very noisy. I waited hoping he might go off on another trail, but he didn’t. He kept coming. I was downwind so he couldn’t smell me. Finally, when our encounter was inevitable, I had to alert the bear to my presence. I picked up a baseball sized rock and hurled it yelling, “Get outta here bear!” My throw missed, and the bear froze in his tracks about fifteen yards away.
When most black bears encounter people they run away fast, but boars in August are different. They are the most dangerous. They’re famished and will attack people, especially in the back country. This one sized me up trying to decide if I was on his menu. He didn’t know what to make of me dressed in camouflage and full face paint. I kept yelling at the bear. Telling him to leave, threatening him and even cussing his mother failed to move him along. The bear tipped his head back and with lips curled out, tried to find my scent on the breeze. Fortunately, the wind was in my favor. The bear was uncertain. Seconds ticked by and then minutes, but the bear wouldn’t budge. I moved slowly to my right past some tree branches. Now I had a clear shot at him. I knew at this range I wouldn’t miss him, but he could easily reach me before I could nock the next arrow. At that moment my arrow just seemed like a pointy little stick. I didn’t dare turn my back.
I was down to one last desperate bluff to convince the bear to leave. I raised my bow up as high as I could without taking my finger off the trigger. Then with a guttural yell I lunged toward him. Mama bears often bluff charge people or other bears to make them back off. Any bear should instinctively understand. He didn’t move. I repeated the lunge. Again, the bear didn’t move. He didn’t even twitch. We were now only ten yards apart. What had seemed like an okay idea at the time was suddenly feeling like a really dumb idea. Drawing my bow for what was to come next, I was ready to fire if he took one step in my direction. The seconds slowly ticked by as we stared each other down. Abruptly, the bear turned and bolted up slope away from me. Then, just as quickly turned back around and sat down. We were now at the more comfortable distance of thirty yards apart and still staring each other down.
Taking a chance, I laid my bow on the ground with the arrow still knocked. Then, slipping the pack off my back, I pulled out my camera. My eyes never left the bear. I took pictures until he moved. The bear circled to my right behind the cover of some bushes, but kept his distance. I had pushed my luck, so I stowed the camera and put my pack back on.
The bear was now sitting on a small ridge above me and I had to pass right below him to go on my way. I faced him as I moved slowly past with my bow at the ready. Immediately ahead was another ravine. It was small but deep. I kept looking back to see if the bear had moved. He had not. As I was trying to sort out how to cross the ravine with a big black bear looking down on me, there was loud crashing. I wheeled around to find the bear was gone. He had run down the other side of the ridge.
Seizing the moment, I scrambled through the ravine and quickly moved along the trail. After a short distance I stopped to listen. I could hear the bear on the slope below. He had finally gotten downwind to scent me. I wondered if he would follow now that he knew what he was following. As I went on my way, I stopped to listen every so often. My hunting partner was waiting for me down the trail and she had a bear tag. If the bear followed it would be at his own peril. I would lead the bear to her.
Every little noise after that seemed like it could be the bear, but I never saw him again that day. In seasons to come I’ll return to those mountains and probably to that same ravine. The bear will likely still be around and I may see him again. Hopefully next time he’ll be the hunted.
I got a dotspen several weeks ago. I did this drawing back then just for fun and to get a feel for the pen. This is the perfect implement for an impatient stippler like me. It has two speeds slow and fast. I only use fast. In fact I wish it had a setting called faster!
The Pacific fisher is a large member of the weasel family that makes its home on our California timberland.
The company I work for, Sierra Pacific Industries, has been involved in a fisher relocation project for a number of years. Our partners in the project include US Fish and Wildlife Service, the California Department of Fish and Wildlife, and researchers from North Carolina State University. The purpose is to re-establish fisher into parts of the Sierra Nevada Mountains that used to be their historic range. The project has been highly successful. You can read more about the project here at the Fish and Wildlife Service website.
This is a mixed media illustration of a fisher with a radio collar that I did for the children’s book Timber!. The pen and ink version appeared in the young reader book Timber In The Working Forest. Both books were written by Mary A Livingston and illustrated by me. You can read her blog at Sneaking Bliss.com.
I’ve been practicing pen and ink portraits lately. I find them uniquely challenging. Some I’ll post and some I won’t, but this one of Marilyn Monroe I decide to post. I’m fairly happy with it, but I didn’t nail it. I didn’t quite capture her essence the way I wanted. I liked the photo reference for the high contrast, which is conducive to pen and ink. Subtle shading is trickier than with pencil or paint. I have a tendency to overwork the piece. It’s been a pretty steep learning curve. Comments and critiques are appreciated.
I realize this isn’t as wildlifey or woodsy as what I normally do, but it’s good to mix things up. Besides, there’s people in the woods too. Although, I’ve never run into Marilyn in the woods, but that would make a heck of a blog post!
It’s day five! I was tagged to do the 3 pieces of art a day for 5 days, Art Challenge, by Mark Mitchell. This is the last post. The theme for today is “Story Books”, that I’ve illustrated I put up illustrations from three different books.
I would love to give everyone a break, so I’m not tagging anybody for the Art Challenge. If you want to do it, then tell me and I’ll tag you!
It’s day four! I was tagged to do the 3 pieces of art a day for 5 days, Art Challenge, by Mark Mitchell. Hey Mark, this is starting to feel like homework. The theme for today is “Fur, Fins and Feathers.” I put up something old and something new.
I would love to see Ruth of Ruth’s Artwork do the Art Challenge. I picked Ruth because of her amazing pen and ink/watercolor, mixed media, architectural illustrations. She also does wonderful animals. She does lots of fantastic commissions. I recommend you check out her site.
Prints are available at Fine Art America.
It’s day two! I was tagged to do the 3 pieces of art a day for 5 days, Art Challenge, by Mark Mitchell. The theme for today is “En Plein Aire.” The nuthatch is my first and only plein aire watercolor painting. Perhaps there will be more someday. The others were done over lunch while making my rounds in the woods. Just a tiny snapshots of my days. Pens are so much more portable than watercolors. I would love to see Mary at oilpastelsbymary to do the Art Challenge.
This challenge originated on Facebook, but I have moved it over to WordPress. Please check it out my new Facebook page at Tim Livingston.